Unknown, but it is thought that it may have been indirectly influenced by Mimar Kemaleddin Bey, one of the important architects of the period.
Changes After Construction:
Its predecessor is the wooden Kabasakal Mosque built in the 17th century, but it was demolished because of its dilapidation.
The mosque was used without a minaret during the Balkan Wars and World War I.
In 1953, a reinforced concrete single-balcony minaret was added.
The minaret is not compatible with the original architectural style.
Prominent Features:
It has a rectangular plan almost square and a narthex with three units. It is made of masonry (stone and brick). It has a Marseille type tiled roof. It is a high-rise building, the lower floor is used as a place of ablution.
Pointed arched windows and doors attract attention. There are plaster grids on the upper floor windows.
There are wooden eaves and a symmetrical façade layout. The fact that the narthex is kept lower than the main walls gives the mosque a magnificent appearance.
There is a decoration with a passionflower motif in the centre of the wooden ceiling.
The mihrab and the minbar are quite plain. There is a verse inscription on the mihrab dated 1951.
The floor of gallery is supported by four wooden poles and is reached by a winding staircase.
The reinforced concrete single-balcony minaret added in 1953 is not fully compatible with the original architecture.
It continues its existence today as an important village mosque bearing the traces of the National Architectural Style.