Meryem Ana Greek Orthodox Church

audio narration:

construction year:

1281

location:

Fatih, İstanbul

ordered by:

Maria Despina Palaiologina

architect:

Unknown

Changes After Construction:
  • In the early 7th century, Princess Sopatra and Eustolia founded a convent here; the structure disappeared during the period of the Latin Empire.
  • After the city returned to Byzantine rule in 1261, Isaakios Doukas commissioned a single-storey monastery on the same site; in 1281, Maria Despina Palaiologina rebuilt the monastery and church in the form that survives today.
  • Because of the clashes that took place around it in 1453, the building came to be known as the “Bloody Church”; the road leading up to the church became associated with the name “Sancaktar slope.”
  • Through decrees issued in the reigns of Mehmed II and Bayezid II, the church was confirmed as belonging to the Greek community and its property status was reaffirmed; attempts to convert it into a mosque during the reigns of Selim I and Ahmed II did not succeed.
  • It was damaged in the fires of Fener (1633, 1640, 1729); repairs and additions significantly altered its original appearance.
  • At the end of the 19th century, a small school was built near the church; in 1892, a small bell tower was added.
  • It was damaged during the events of September 6–7, 1955, and was repaired afterward.
Prominent Features:
  • The church belongs to the Greek Orthodox Patriarchate of Istanbul.
  • The building is also known as the “Church of Saint Mary of the Mongols” and “Panagia Mouchliotissa”; its dedication is recorded as “Theotokos Panagiotissa.”
  • It is described as the only example in Istanbul surviving from the Byzantine period that continued uninterrupted in its function as a church during the Ottoman period without being converted into a mosque.
  • The building is evaluated as a unique/exceptional example within Byzantine architecture of Constantinople with its original centrally domed tetraconch plan scheme.
  • The church stands within a courtyard behind high walls; since the entrances are often kept closed, visitor access may be limited.
  • In the interior, an 11th-century mosaic icon and icons dated to the 13th–14th centuries stand out, as do decorative elements such as the depiction of the “Last Judgment” on the east wall.
  • According to legend, the underground passage beneath the church extends to Hagia Sophia.